Written by Madeline Dierauf, performed with The Wilder Flower (Molly Johnson and studio band: Lizzie Cahalin and Jon Weisberger)
Our self-titled debut album released in October 2024! The album was recorded with Dave Nachodsky at Stages Music Arts, Mixed and Mastered by Tony O'Flaherty, and features The East Coasters with singer Catherine O'Kelly, and Kiera Noonan. Artwork by Sebastian Dorn.
"The idea of the album is to artistically, emotionally and energetically capture the essence of existence at a certain time and place. The southern appalachians have been home to many different types of people over thousands of years and the result is a very uniquely iconic culture represented by everything from the food we eat, the homes we live in, the accents you hear and the music that is played. As a tip of the hat to our ancestors, Southland features a couple of traditional Appalachian fiddle tunes, and the rest is original music; songs and tunes that weave together stories and threads into an album made to listen to all the way through." - https://www.prettylittlegoat.com
Walk on By
Minutemen/Anne Lacey’s (© Liz Carroll / Grow Your Own Music (BMI)) Red Rocking Chair (© Arthel Watson; Downtown Music Publishing LLC a/C Hillgreen Music) Wheel Hoss (© Bill Monroe; Hill and Range Songs) Walk on By (© Madeline Dierauf; 2020 ASCAP) Rattletrap (Trad)
Featuring Madeline Dierauf: fiddle tracks 1,2,3,5, lead vocals track 4, harmony vocals track 2, acoustic guitar track 4; Mike Ashworth: bass and drums on all tracks, guitar tracks 1,2,3,5; Nikki Talley banjo and lead vocals track 2; Dave Desmelik electric guitar track 4.
Produced by Madeline Dierauf with Mike Ashworth and Dave Desmelik; Tracks 1,2,3,5 Engineered by Dave Desmelik at JWH Sound Room; Track 4 Engineered by Shane Parecco and Matt Gardner at Buttertone Studio; Mixed and Mastered by Michael Hines at Nomatic Studios; Photography by Kaelee Denise Photography Cover art and design by Sarah Dearbaugh at Studio 276; Thanks to Ellen Yarborough Lee, Beanie O’Dell, April and Toby Lindsay, and my family, as well as everyone who donated to make this project a reality. Special thanks to Mike Ashworth for his time, energy, and expertise.